Referencing artists to support my exhibition ideas and plans

I have researched a range of different artists and platforms in reference to how I should curate my work. ArtSteps has provided me with ideas of how to use the platform and how other artists have used it. Some of the exhibitions have used the template layout and others have created their own space to place their work. It is clear from this platform that artists have used it for a long time but, it has been more active during isolation. Some student artists have used it as a method of showing their work but assessments. These different styles of exhibition have provided me with an array of examples to work from.

The artists I have looked at include Yvonne Rainer and Pablo Picasso as reference because they use similar media to create and display their art to what I am hoping to do. Rainer uses a projector to display her work on the wall in the Raven Down Gallery, London. The work is not displayed in a cinematic but on white walls in a boxed area. I felt this curation was very clever and suited the exhibition because by closing it off from the rest of the work, this piece becomes isolated and different from the rest.

 

‘How to make a great exhibition’ by Paula Marincola references different arguments as to the importance of curation. Some suggest curation becomes part of the artwork and that the relationship between the viewer and the art itself is a key part of the display. Others talk about the importance of exhibitions simply having a purpose of display art and artefacts for viewers to see. These factors, I believe are both important in curation because as an artist who displays their work, the way the viewer engages with the artwork is just as importance as the exhibition being a way of viewing said art.

The drawings I am exhibiting in my work will not be framed because the torn edges are part of the pieces. I have researched into the way Alison Lambert and Williams Kentridge, two charcoal artists I have been using in reference to my art. These artists although not part of the exposure module and the inspiration, they still have a reference to how I should exhibit my work because of the media they use. Referencing these charcoal artists through how they exhibit their work has helped me with mine as a young artist.

As well as these artists, I have researched how hanging art which cannot be framed is the best way to display it. Many small artists have suggested on chatrooms and Pinterest that hanging the art from the ceiling or a beam is a great alternative to fixing it to the wall. Many exhibitions including the ‘Boys at Home’ by Girls Exhibition in the Library Space at Battersea Park is a great example of this. The art would hang just touching the wall or could be hanging in the middle of the space. By hanging art, you are giving the art a floating presence in the room rather than it being fixed to the wall which could give it a stiff harsh feel.

You can see on individual blogs the full details of each artist and one on the ArtStep exhibitions and their relevance to my work and exhibition.

Author: ninasartspace

Based in Cardiff studying Fine Art at the Metropolitan University. Originally from East Sussex. The career goal is Art Therapy with adults who suffer from PTSD and other mental issues which affect so many of us on a daily basis.

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